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Contemporary society and a new view of colour
the eye the lens the prism
premises and format of the Munsell and Ostwald systems
7 other sections not shown
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Ad Reinhardt American Art artists Billy Apple blue bright colours bright green century Chevreul Chryssa colour choice colour effects colour in art colour notation colour preferences colour styling colour symbolism colour theory coloured environment coloured lights cones contemporary art contrast conventional create day-glo Delacroix designer differ in colour different colour divisionist Fernand Leger function glass Goethe Gogh greys Henri Matisse Impressionists individualized colour infra-red interiors Jules Olitski lens Leonardo da Vinci Matisse metallic mixed Modern Art Museum of American Museum of Modern nature of light neon Oil on canvas orange painter painting palette permanent green light Photo courtesy pigments primary prism Pueblo range of colour relationships retina sculpture secondary colours Seurat shadows Signac spectral colours spectrum Stuart Davis study of colour suggested system of colour traditional type of colour Vincent Van Gogh violet visual wave theory Whitney Museum yellow Yezidi York