Comedy After Postmodernism: Rereading Comedy from Edward Lear to Charles Willeford

Front Cover
Texas Tech University Press, 2001 - Literary Criticism - 184 pages
0 Reviews
Is comedy postmodern?Kirby Olson posits that no one has been more marginalized than the comic writer, whose irreverent truths have always made others uncomfortable. In a literary age that purports to champion diversity, comic writers remain an underclass huddling at the fringes of the canon. Olson challenges the status quo by inviting the comic writer into the center of literary debate.In the growing discipline of humor studies, Olson is the first to create a substantial link between the fields of comedy and postmodernism, discovering in comic writers a philosophy of oddness and paradox that parallels and extends the work of the major postmodern thinkers.With elegant clarity, Comedy After Post-modernism examines: Edward Lear as he invents a comic picturesque to challenge the sublime of Kant and Ruskin Gregory Corso as he explodes the Great Chain of Being of his early Catholicism Philippe Soupault as a comic surrealist undoing the sacrificial aesthetics of André Breton P.G. Wodehouse as a social thinker with surprisingly deep affinities to anarchist Peter Kropotkin and radical social theorist Charles Fourier Stewart Home, the infamously violent punk author, as a pacifist whose narrative questions Marxist-anarchist terrorism in favor of patience and tolerance Charles Willeford, the maestro of the black humor police procedural, as a postmodern philosopher who deepens the problems of ethical and aesthetic judgment after postmodernism. “An original, splendidly researched, and necessary book. By pointing to the vast excluded literature of ‘comic writers,’ Dr. Olson opens the door to a postmodern scholarship capable of greater flexibility. Comedy After Postmodernism evinces a lucid, passionate, and engaging style.” —Andrei Codrescu There was an old man on the Border, Who lived in the utmost disorder;He danced with the cat, and made tea in his hat,Which vexed all the folks on the Border.—From The Complete Nonsense of Edward Lear
 

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Edward Lear Deleuzian Landscape Painter
25
Gregory Corso Doubting Thomist
45
Comic Fiction Writers and the Problem of the Just
75
Philippe Soupault and the Comedy of the Parisian Derive
77
Bertie and Jeeves at the End of History P G Wodehouse as Political Scientist
93
The War on the Home Front Comedy and Political Identity in the Work of Stewart Home
113
Postmodernism and the Crisis of Judgment in Charles Willefords The Burnt Orange Heresy
127
afterword
155
notes
165
bibliography
172
index
179
Copyright

Other editions - View all

Common terms and phrases

References to this book

Comedy
Andrew Stott
No preview available - 2004
All Book Search results »

About the author (2001)

Kirby Olson is the author of "Comedy after Postmodernism: Rereading Comedy from Edward Lear to Charles Willeford "and the translator of "Remembering Anna O "by Mikkel Borch-Jacobsen. He has taught at the University of Washington and the University of Tampere in Finland and is currently assistant professor of English at the State University of New York at Delhi.

Bibliographic information