Complete Etudes for Solo Piano, Series II: Including the Paganini Etudes and Concert Etudes

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Dover Publications, 1988 - Cooking - 184 pages
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Liszt's reputation as perhaps the greatest pianist of all time is powerfully supported by his dazzling body of work for solo piano. The undiminished popularity of his etudes with pianists and audiences alike have made them among the most performed and recorded works for solo piano in the romantic repertoire.
This superbly produced yet inexpensive two-volume edition presents all of Liszt's etudes as edited by the great pianist, composer, and musical scholar Ferruccio Busoni for the Franz Liszt Society and published by Breitkopf and H rtel in Leipzig in 1910–11.
This second volume, Series II, includes many of Liszt's most important piano works. Liszt's creative method can be observed in his reworking of the Etudes d' Ex cution Transcendante d'apr s Paganini into the Grande Etudes de Paganini (better known as simply the Paganini Etudes), and the similar revision of the "Morceau de Salon" into "Ab Irato." The separate etudes cover a wide stylistic range, from the dazzling technical display of the most popular of the Paganini Etudes, "La Campanella," to the graceful, restrained lyricism of "Waldesrauschen." Each will bring to pianists and their listeners a moving encounter with the genius of this towering musical personality.

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About the author (1988)

A Hungarian composer, conductor, and pianist, Franz Liszt was a child prodigy who began studying piano with his father at the age of 6. At the age of 9, he gave his first public performance and a year later went to Vienna, where he studied with Karl Czerny and Antonio Salieri. By the end of Liszt's life, he was acknowledged as the greatest pianist of his time. One of the foremost musicians of the romantic period, Liszt enthralled audiences with his expressive interpretations and dramatic gestures in a style of playing that greatly influenced the advancement of pianistic techniques. From about 1822 to 1848, Liszt lived in Paris, where he came under the influence of Niccolo Paganini. Paganini's virtuosity inspired him to accomplish unheard of feats in piano technique and expression. Between 1848 and 1861, Liszt was musical director for the court at Weimar in Germany, where he conducted performances of many important works, including those of Richard Wagner. After 1861, Liszt spent much time in Rome, where he became a friend of the Pope and took minor orders in the Catholic church. The rest of Liszt's life was divided among Rome, Weimar, and Budapest. Liszt's compositions had an important impact on musical history. Avoiding traditional musical forms, he concentrated on program music. In this vein, "Liebestraume" (c.1850), is perhaps one of his most popular works. Also important are his 19 published "Hungarian Rhapsodies" and the "Sonata in B Minor" (1853). Not to be overlooked in historical importance are Liszt's transcriptions of other composers' works. These transcriptions familiarized a wide audience with major musical works and also demonstrated the piano's potential for interpreting orchestral music. Liszt also wrote books and essays on music, in many ways anticipating the music of the twentieth century.

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