Complete legends: op. 59, for piano four hands

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Courier Corporation, 2002 - Music - 69 pages
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Although his fame rests largely on other musical genres, Dvorák was a gifted and imaginative composer for the piano. His mastery is evident in this 10-piece cycle for piano four hands, similar in concept to the popular "character pieces" prevalent throughout 19th-century piano music. Sensitive and skillfully written, these poetic compositions brilliantly capture the era's romantic sentiment. Previously available only in two volumes, the complete Legends are reproduced here in a convenient, single-volume edition, sure to appeal to pianists, music lovers, and admirers of Dvorák. Dover original compilation of 10 works from authoritative editions.
 

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About the author (2002)

Antonin Dvorak is regarded as the greatest composer of the nationalist movement in what was to become Czechoslovakia. Throughout his childhood, Dvorak displayed an interest only in music. He left home at the age of 16 to study composition at the Prague Organ School. Although Dvorak is best known for his orchestral and chamber music, from the late 1860s he was constantly engaged in an operatic project. Richard Wagner's musical style highly influenced Dvorak's operas. Hymnus for Mixed Chorus and Orchestra (1873) attracted wide attention and marks the beginning of Dvorak's international fame and influence. In 1875 he was awarded the Austrian State Prize for Symphony in E Flat. In 1884 he was invited to conduct his Stabat Mater in London. He accepted an invitation to head the National Conservatory in New York in 1892. In America, Dvorak wrote his celebrated work, his symphony From the New World (1893). His peripatetic career (he traveled extensively) and the honors bestowed on him by numerous nations are paralleled in his compositions by their cosmopolitan use of national and folk melodies and the free-flowing new melodies he composed. Dvorak later returned to Prague and was appointed director of the Prague Conservatory.

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