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Foreword Alan Boicness
Introduction Stephen Hackney
14 other sections not shown
absorbent acrylic paint aluminium applied areas Armfield artists Bigger Splash Bitch and Puppy Blake blue Brown brushmarking caracara century Cezanne colour colourmen composition Constable Constable's copal dark David Hockney drawing edges Fildes finished Flatford Mill Flekkefjord frame Frank Stella Gainsborough Girtin glaze glue gouache green grey Guadalupe Island Harold Gilman Holman Hunt impasto J.M.W. Turner lead white linen canvas linseed oil Liquitex London mastic Matisse Maugham method mixed Morris Louis Oil on Canvas oil paint oil sketches opaque paint film paint layers painter painting medium painting technique palette paper particles pencil Picasso picture piece pigments Pomeranian Bitch portrait priming raking light photograph resin Sargent scumbles seen Sickert Stella stretcher Stubbs surface tacks Tate Gallery tempera texture thick thin Three Dancers tion tone transparent turpentine unfinished varnish visible washes watercolour Whistler white ground William Holman Hunt x-radiograph yellow Zebra Kid