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INTRODUCTION by Joseph Masheck i
PRINCIPLES OF COMPOSITION
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abstract aesthetic American Amon Carter Museum appreciation architecture Armory Show arrangement Art Education art teaching Arthur Wesley Dow artistic beauty BLOCK PRINTING Boston brush century charcoal Chinese composing copy creative cubism dark dark-and-light decorative Dewey Dow's Composition Dowian drawing DUCTION elements Emile Bernard Ernest Fenollosa essay examples exercise expression flat flower Gauguin geometric Georgia O'Keeffe gray harmony Henri Matisse hues Ibid idea illustration imitation ink painting INTRO invention Japan Japanese art Japanese prints John La Farge Joseph Masheck Karl Struss landscape light masses masters Max Weber ment method Modern Art modernist Museum nature notan Okakura oriental original ornament painter paper pattern photographs picture Pont-Aven postimpressionist pottery practice principles pupils rectangles relations representation reprint scape scheme sense shapes simple sition sketches space straight lines structure student Subordination textile theory three values tion tone University variation Weber whole York