Composition in Indian Music
Ramanlal C. Mehta
Indian Musicological Soc., 1993 - Composition (Music) - 144 pages
Contributed research papers presented at the Seminar on "Bandhish-the Key Concept to Music and its Forms" held at Bombay from January 19 to 21, 1990
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Abhog aesthetic Agra Gharana Ajrada alap anibaddha artiste Asthai Bandish beats beautiful Bengali Bhairab bol-s bols century Chakradar Chaturshra Chautal classical music composed creative Dadra dance developed Dhaa Dhamar Dhrupad dhruva drama Drut Ektal Faiyaz Khan Faroukhabad fast tempo gamak gat-s gita gitis Hindu Mela Hindustani music Hussain Khan improvisation innovation instruments Jaati Jhaptal Kaivada Prabhanda Kalmrigaya karnatik music Kathak Kayada Khayal kriti Late Ustad laya lndian Music masitkhani Matra medium tempo Meend melody mood Mukhda musical composition musicians notes pakhawaj Paran Pata patterns performance Peshkaar phrases played Poorab Baaj prabandha present raga razakhani rhythm rhythmic syllables Sanchari Sangita Sanskrit Sarod singing sitar sitar players slow tempo South lndian structure style sung svara swaras Taal Taal Tritaal Tabla Tagore Tagore-songs Tagore's Tala TARANA technique Thumri Tihayi Tillana Tillana forms tonal tradition Trayashra tune Upohana Valmiki Veena Vilambit words