Compositional Metaphors of Space and Perspective

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University of California, San Diego, 2007 - Composition (Music) - 74 pages
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This dissertation documents my use of the metaphors of space and perspective in two musical works: IN for bass drum and live electronics, and Headspaces for cello and live electronics. Both works involve live performers with real-time signal processing and eight channel sound spatialization enabled through the music software, programming environment Max/MSP. An introductory essay that outlines my methods in employing these metaphors is included as a preface to the works that follow the essay in the form of musical scores.

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