Comprehensive Musical Analysis

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Scarecrow Press, 1994 - Music - 304 pages
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Now available in paperback Evolved from the author's widely used book, "The Analysis of Music "(Prentice-Hall, 1975; 2nd. ed. Scarecrow Press, 1984), "Comprehensive Music Analysis "is a guide for acquiring the tools of musical analysis, skills which are essential to every serious musician and musical scholar. The new volume presents material on Heinrich Schenker and reductive linear analysis and additional material on set theoretical analysis. White's theoretical writing is characterized by logic of methodology, clarity of organization, and lucidity of prose. It should be eagerly received by theorists seeking a comprehensive view of current methodology.White's approach to current theoretical dogma is not uncritical. As Gerald Warfield (General Editor of the recent English translation of Schenker's "Der Freie Satz") says in his Preface to White's new book, .."."we begin to glimpse a powerful tool which does not exist in any single school of theory or musicology, but which draws upon any and all nethodologies as required by the analyst. The opinions in this book are strong. Indeed, there is material which may disturb the dogmatic, yet the author's intentions are clear. White invites you to take your cue for analysis from the compositions themselves rather than from dogma."" Replete with musical examples, charts, and diagrams, the book is more than a treatise on analysis, it is a valuable tool for the advanced student of music as well as the musical scholar.

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Contents

THE PURPOSE
1
THE ANALYTICAL
20
REDUCTIVE LINEAR
37
SUBSTRUCTURAL UNITS
62
NORMATIVE STRUCTURES
90
MELODY AND RHYTHM
117
HARMONY
138
HARMONIC ANALYSIS
166
COUNTERPOINT
195
THE ELEMENT OF SOUND
232
AN APPROACH
257
SYNTHESIS
284
Appendix
295
About the Author
305
Copyright

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About the author (1994)

John D. White, composer and cellist, is the author of Understanding and Enjoying Music (1968), Music in Western Culture (1972), The Analysis of Music (1975; 2nd ed., Scarecrow, 1984), and Guidelines for College Teaching of Music Theory (Scarecrow, 1981). His music is widely performed, recorded and published, and he has served on the music theory faculties of the University of Michigan, the University of Wisconsin, Whitman College, Kent State, and the University of Florida.

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