Comps, storyboards, and animatics
Shows how to create comprehensive presentations, storyboards for TV commercials, and rough animations for ads, and gives advice on working with markers, colored pencils, airbrush, and gouache
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Paper and Other Surfaces 40 The Process
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added advertising agency animatic applied areas art director artwork background Berol blender blueberry bond paper camera cereal client coated colored pencil comp artist contrast create critter crystal blue dark David Rothenberg delta brown depict drawing dry cherry dry cool gray dry markers edges effect electric blue elements Emmett Arnold example eyes face flesh tones frame freelance girl's Graphic Artists Guild hair head highlights horizontal ice blue illustration inches indicate kitchen lavender colored light box light source look ltalia maize marker airbrush marker color mask moved MSDS musician's Neutrogena Olbrys paint pale flesh pale indigo piece portfolio purple sage quickly Rapidograph reference file reflective render sapphire blue scene shapes simply sketches skin tones storyboard Stroh's strokes studio tracing truck undercoat undercoating vertical wet-on-wet white gouache white pencil white space wood grain X-Acto knife