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Computer Music Concert Programme
The Edinburgh GGDL CompositionSynthesis System
Computer Composition Systems
2 other sections not shown
acoustic amplitude analogue basic complex composer computer music Control Processor create decibels defined duration e2 el e2 electronic music envelope event list event space example facilities feedback Figure frequency modulation functions general-purpose languages GGDL glissandi GOSUB grammar hardware heuristic histogram Holtzman input instrument interaction interface IRCAM level of surprise macro Markov Chain matrix means memory modulation index musical composition musicians notation OBJ1 OBJ3 objects occur operating optimise output Pass 3 variables perceived performance periodicity PHIPRO piece pitch play POKE possible preprocessor probability assignment problem space procedures produce psychoacoustic pulse random real-time relationships repetition represented rhythmic rules sample scale scheme score sequence simple sound synthesis sound synthesis languages sound synthesis systems specified stochastic matrix Stochastic Processe stochastic structures stored subroutines tape techniques terminals timbral timbres transformations values version of Music waveform