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James Levine on Verdi and Mozart
Sir Charles Mackerras on Handel
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appoggiaturas Baroque bars beat Beethoven Berlioz Bernard Haitink Brahms Brahms's brass Bruckner Carlo Maria Giulini century chestra Colin Davis composer composer's concert conduct Mahler Conductors on Conducting course crotchet Elgar everything exactly Falstaff feel fortissimo Fourth Symphony Haitink on Mahler Hall Handel Haydn hear heard horns important instruments interpretation Italian Ives Fourth James Levine Jose Serebrier kind last movement listen London Mackerras on Handel Mahler melody ment metronome mark modern Mozart musicians never Nikolaus Harnoncourt nineteenth-century notes opera orchestra Otello performance perhaps Philharmonic phony pianissimo piano piece play player problem question recording rehearsal Requiem rhythms score second movement Second Symphony Serebrier on Ives sing singers Sir Adrian Boult Sir Charles Mackerras songs sort sound Stokowski Strauss Stravinsky strings style stylistic Szell tempo there's thing third movement Toscanini trumpet vibrato viola violin whole woodwinds writes wrote