Confronting Mortality with Art and Science: Scientific and Artistic Impressions on what the Certainty of Death Says about Life
A rare entry into the nexus of science and art, this thought-provoking exploration introduces the ongoing research by scientists and artists into the fascinating subject of death and mortality. The unique practices of medical and scientific artists share a desire to piece the world together using the power of representational drawing. Their common belief that to draw is to see seeks to answer the riddles of mortality through the cultivation of their art, and what begins as an exploration of death ultimately becomes a celebration of life. This collection presents an introduction to the front lines of medical and scientific art, elaborating upon the ethos of their movement, and showcasing some of their greatest discoveries.
What people are saying - Write a review
Vivienne Baillie Gerritsen, Swiss Institute of Bioinformatics, Genève, Switzerland wrote this (23.09.09):
"I have had a good look through 'Confronting Mortality with Art and Science'.
I find the book attractive both because of its format and the sobre and elegant graphic design on the cover (as well as inside by the way). It's just a little smelly...but that's quite beside the point! Besides that, it is very agreeable to flip through. You find your way from chapter to chapter very easily, and the interior design keeps it all very lively.
I have been very attentive to Science translated into any artistic form for many years now, so I was very intrigued to discover this book. The exhibition must have been very interesting and I am sorry I didn't know about it. Especially as everything was centred around the human body/emotions - something I am particularly fond of. One thing I would have like to have encountered a little more perhaps: the world of words.
Although the exhibition does have a few poems, what about a theatrical performance the next time?
I was particularly taken by the various artists' work - less by work which can be qualified as 'artistic' simply because it is an aesthetic rendering of something scientific. I enjoyed very much what Bart Koubaa had to say. I think Pascale Pollier-Green's 'Autopsy in a nutshell' is funny, clever and very beautiful - and I enjoyed reading about her at the end of the book. Laurie Hassold's work is quite amazing and original. And Caitlin Berrigan's truffles witty and full of fun. And of course, Mara Haseltine's sculptures are singular too.
As you see - although it is very subjective - I was more taken by Part II of the book. Part I was, for me, very interesting though frequently very academic. And perhaps, this is my main criticism: although what is described in this book could be hugely popular - in the real sense of the word - I find that the world of Science and Art are playing ping-pong with each other, instead of stretching their arms out to the layman. Yet there is no better way than Art to do it. This is something I have been working at for many years - popularising Science. The outside world needs it, besides loving it. But it also needs a language it can understand."
Rudy Van Eysendeyk B Whales in theAntwerp ZOO
C Spee NL Art and Science Ars sine scientiae nihil est
Patrick McDonnell CAN Peter Paul Rubens the first modern artist?
Beverly Ress USA Ars LongaVita Brevis
Emmanuel Gilissen B Museum artworks in a technological world
Frederic Daman B TheWestEuropean illustrated Natural History
the integration of art and science
Forensic Medicine in
Patrick Allegaert B Mortality inArt Brut
Jeff Wyckoff USA Science asArtArt as Science
Mara Haseltine USA Visions from the NanoWorld
an artistic approach to mortality
Jo Ann Kaplan UK An anatomy of melancholy
Erika Giuliani I Pietro Castelli an Italian case for European botany
Bernard Lernout B How to think like Leonardo da Vinci
theart and science of murder