Conjure Women: Betye Saar and Rituals of Transformation, 1960-1990 |
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Contents
Betye Saar and Assemblage in | 134 |
Beh Black Aesthetics and the Visual Culture of Black Power | 149 |
Betye Saar and Womens Art | 189 |
Copyright | |
2 other sections not shown
Common terms and phrases
activism aesthetic African American altar American art American Artists Angeles Art Gallery Assemblage Assemblage Assemblage Aunt Jemima became become began Betye Saar black art black artists black women boxes Brown called career Center Chapter City Collage collection color conjure consciousness Contemporary continued craft created cultural developed early elements eventually exhibition experience explore expressed feeling felt feminist Figure friends hand Hankie House identity images installation Institute interest later letters Liberation lives Los Angeles materials memory mother moved movement Museum mysterious mystical objects Oral History organized painted participate past period photographs piece political practices Press prints produced Purifoy racial recalls Reed represent Richard ritual Saar's saying Sculpture Secrets served Smith social solo Southern California space spiritual symbols things tradition transformation University of California viewers visual Watts Window woman women women artists York
Bibliographic information
| Title | Conjure Women: Betye Saar and Rituals of Transformation, 1960-1990 |
| Author | Jane H. Carpenter |
| Publisher | University of Michigan., 2002 |
| Original from | the University of Michigan |
| Digitized | Apr 14, 2011 |
| ISBN | 0493733841, 9780493733845 |
| Length | 882 pages |
| Export Citation | BiBTeX EndNote RefMan |