Consumed in Singapore: The Intercultural Spectacle of Lear |
Common terms and phrases
acknowledge actors actual aesthetic argued Asia Asian assumed attempt become Bharucha capital CAS RESEARCH PAPER Centre characters Chinese Chinese opera choice Chua claim clearly communities Consumed contemporary context countries critical critique cultural orphan cultural practice director dominant economy effect element emergent energy entirely essay exchange experience father female figure forms Foundation given global holding Indonesia inter-Asian interaction intercultural intercultural practice internalized intervention Japan Japanese kill Kishida Kuo's labour language larger Lear least Lives Looking matter means mechanisms mediated MICHIGAN multiculturalism narrative necessary negotiating official Older Daughter Ong's Open Culture original particular performance performance traditions play politics position possible precisely problem production question relation representation represented RESEARCH PAPER SERIES respect response Retainer role seems Singapore Singaporean social society specific spectacle Studies subjected success suggest theatre traditions UNIVERSITY woman women workers