"Contrapunto" und "effetto": Studien zu den Madrigalen Carlo Gesualdos

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Vandenhoeck & Ruprecht, 2001 - History - 267 pages
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Contents

Zur Tauglichkeit des Begriffs Manierismus
18
Anmerkungen zur Manuskriptüberlieferung
40
Zur Gliederung der sechs Madrigalbücher
58
Modale Vieldeutigkeit
72
Relatio Dissonanz und Figur
91
Carl Dahlhaus Fallstudien zu einer Geschichte der Chromatik
113
Dissonanztechnik
129
Formale Disposition
145
Die Reprisenform bei Gesualdo
164
Die Rolle Luzzasco Luzzaschis
181
Zwei risposte?
194
Seconda prätica Platon und die nicht greifbare Theorie
207
Abbildungen
223
Luzzasco Luzzaschi Itene mie querele
238
Schrifttum ab dem Ende des 18 Jahrhunderts Forschungsliteratur
254
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Page 8 - ... indiscriminately on concords and discords, and on accented and unaccented parts of a bar, that, when performed, there is more confusion in the general effect than in the Music of any other composer of madrigals with whose works I am acquainted (g). His original harmony, after scoring a great part of his madrigals, particularly those that have been the most celebrated, is difficult to discover; for had there been any warrantable combinations of sounds that Palestrina, Luca Marenzio, and many of...

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