Counterpoint and Compositional Process in the Time of Dufay: Perspectives from German Musicology

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Kevin N. Moll
Taylor & Francis, 1997 - Music - 410 pages
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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
 

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Contents

ESSAYS
67
Toward a History of the Genesis of Fauxbourdon
91
A Reply to Rudolf von Picker
129
The Tonal Discant and Free Discant Techniques of Composition
171
The CantusFirmus Question in the Fourteenth and Early Fifteenth Centuries
193
The Origin of True FourVoice Counterpoint in England
219
FourVoice Counterpoint in the Fourteenth and Fifteenth Centuries
245
The Harmonic Structure of Late Medieval Music
269
Late Medieval Harmonic Structure and MajorMinor Tonality
293
Tonality and Harmony in the French Chanson between Machaut and Dufay
301
Continental CantusFirmus Techniques and Tonal Structure
327
APPENDIX
363
BIBLIOGRAPHY
369
GENERAL INDEX
395
COPYRIGHT PERMISSION
411
Copyright

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Page 393 - Die Rolle der englischen Mehrstimmigkeit des Mittelalters in der Entwicklung von Cantus-firmus-Satz und Tonalitatsstruktur . ArchMus , 24 (1967), 24-53.

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