Craft of Use: Post-Growth Fashion

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Routledge, Feb 26, 2016 - Design - 304 pages
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This book explores the ‘craft of use’, the cultivated, ordinary and ingenious ideas and practices that promote satisfying and resourceful use of garments, presenting them as an alternative, dynamic, experiential frame with which to articulate and foster sustainability in the fashion sector.

Here Kate Fletcher provides a broad imagining of sustainability in fashion that gives attention to tending and wearing garments, and favours their use as much as their creation. She offers a diversified view of fashion beyond the market and the market’s purpose and reveals fashion provision and expression in a world not dependent on continuous consumption.

Framing design and use as a single whole, the book uncovers a more contingent and time-dependent role for design in sustainability, recognising that garments, while sold as a product, are lived as a process. Drawing from stories and portrait photography that document the ways in which members of the public from across three continents use their clothes, and the work of seven international design teams seeking to amplify these use practices, Craft of Use presents a changed social narrative for fashion, borne out of ideas of satisfaction and interdependence, of action, knowledge and human agency, that glimpses fashion post-growth.

 

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Contents

Acknowledgements
Consumerism Sustainability and Fashion The Stories of Alternative Dress Codes
Matter in Motion The Stories of Open and Adjust Garment Cooperation and Easy
Attentiveness Materials and Their Use The Stories of Never Washed Perfect
Durability Design and Enduring Use The Stories of Super Long Life Patina of
Farewell Good Travels The Stories of Intensive
Notes and References
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About the author (2016)

For nearly two decades Kate Fletcher’s work has shaped the field of fashion and sustainability, and come to define it. She works with fashion businesses, education, non-profits and government. She is Professor of Sustainability, Design, Fashion at the University of the Arts, London, UK. This is her fourth book.

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