The Craftsman and the Critic: Defining Usefulness and Beauty in Arts and Crafts-era Boston

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Univ of Massachusetts Press, 2009 - Art - 391 pages
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When English craftsman, poet, and socialist William Morris advised consumers in the 1880s to "have nothing in your houses that you do not know to be useful or believe to be beautiful," he prompted a movement for design reform in Britain, Europe, and America. Championing Morris's views, the Society of Arts and Crafts in Boston led the quest for "usefulness and beauty" in the United States. As the oldest arts and crafts organization in the country, it exerted considerable influence.

Among the Boston reformers were design critics, whose profession became increasingly important in the nineteenth century. Many of them--including a number of prominent women--were also architects, designers, craft workers, educators, and theorists. Their views on design reform were substantive and often controversial.

This richly illustrated book explores the interaction of craft workers and critics as they collaborated to improve the quality of the living and working environment in Boston and across the United States. Beverly K. Brandt examines multiple overlapping topics--the evolution of the profession of design criticism in the nineteenth century; Boston in the "Gilded Age" as a center for reform, epitomized by the Aesthetic and the Arts and Crafts movements; the formative years of the Society of Arts and Crafts (1897-1917); key personalities associated with that organization; the theoretical underpinnings of the Arts and Crafts movement; and a diaspora of Boston reformers who left the city to promote usefulness and beauty across the country and abroad. In an epilogue, she discusses the Arts and Crafts revival which has flourished since the 1970s and contemplates why the search for usefulness and beauty continues to resonate today.
 

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Contents

Boston in the Gilded Age Embracing Design Criticism and the Reform Movement
57
By Word Deed or Example Promoting Design Reform in Boston
109
Adviser Promoter Tormentor and Midwife The Multiple Roles of Bostons Design Critics
141
Models and Methodologlies Guidelines for Achieving Good Design
185
The Boston Diaspora Promoting Bostons Standards of Usefulenss and Beauty Nationwide
225
Usefulness and Beauty in the New Millennium The Legacy of the Society of Arts and Crafts Boston
281
MEMBERS OF THE SACB JURY 19001917
293
SURVEY OF THE SACB MEMBERSHIP BY CRAFT CATEGORY 1916
295
LIST OF BOOKS IN THE SACB LIBRARY COMPILED 19171918
297
ARCHITECT MEMBERS OF THE SACB 18971917
311
NOTES
313
BIBLIOGRAPHY
359
Index
381
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About the author (2009)

Beverly K. Brandt is professor of design history in the College of Design at Arizona State University.

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