Creating Interior Atmosphere: Mise-en-scène and Interior DesignThis book sets out to explore the creation of interior atmosphere as seen through the lens of mise-en-scène. You will learn how this film theory informs the concept of 'staged space' translated through the narrative and expressive qualities of a particular scene. Jean Whitehead quickly takes this concept beyond the screen and considers its application to the interior 'setting'. By learning to use the ingredients that inform an 'interior' mise-en-scène such as its backdrop, choice of props, use of special effects alongside the application of colour, pattern, graphics, light and shadow, an immersive atmospheric experience can be created. Packed with inspiring examples and case studies, ranging from cinematic interiors and art installations, to the work of notable interior designers, stylists and architects with an interior interest, this book broadens current thinking around the design of the decorated interior. It will help you to embrace the concepts that underpin an interior mise-en- scène through the use of softer decorative techniques and concerns. |
Other editions - View all
Creating Interior Atmosphere: Mise-en-scène and Interior Design Jean Whitehead No preview available - 2018 |
Creating Interior Atmosphere: Mise-en-scène and Interior Design Jean Whitehead No preview available - 2017 |
Creating Interior Atmosphere: Mise en Scène and Interior Design Jean Whitehead No preview available - 2017 |
Common terms and phrases
accessories aesthetic aim to illustrate alongside ambience approach architectural Artificial light artist audience Available online backdrop becomes Bompas & Parr building candlelight central chapter cinematic clearly Clockwork Orange Context create creation deliberately developed Diller Dogville Dorothy Draper emotional enhance environment experience explore famous Figure film fixtures furniture German expressionism Getty Gothic graphics highlights Holl Ibid illusion illusory immersive impact ingredients interior atmosphere interior decorator interior design interior mise-en-scène interior props interior setting interior space introduced Jean Nouvel layered skin light and shadow London Maggie's Centres Martin Margiela mise-en mood narrative Nosferatu notion Olafur Eliasson painted Pallasmaa Panton pattern perception of space Peter Greenaway physical production designer psychological re-imagined reinforced Robert Wiene role Sam Wanamaker scale scène Scofidio sense sensory spatial special effects staged space Steven Holl story storytelling suggest surface skin theatre theatrical transform trompe l'œil typically utilized Verner Panton visual wallpaper whilst