Creative Labour: Working in the Creative Industries
Alan McKinlay, Chris Smith
Palgrave Macmillan, Mar 15, 2009 - Business & Economics - 270 pages
Creative labour has become a growing area of the market, and of management study. Alan McKinlay and Chris Smith have compiled the first book to look at the creative industries from a labour process perspective. The text concludes with an authoritative investigation into managing new media workers.
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Creative Industries and Labour Process Analysis
Content Contract and Control
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active networking advertising aesthetic analysis argued artists bargaining Blair British broadcast budget cable television career Caves cent changes chapter characteristics Christopherson commercial competition concept costs craft Creative Class creative industries creative labour creative workers crew cultural industries directors distribution duction economy Eikhof employed entertainment industry example film and television film industry firms flexible freelance groups Haunschild heterarchy hierarchies Hollywood increased individual interactive media interactive media production interactive media workers internal Internet interviews labour market labour power labour process labour supply London McKinlay media industries ment mobility Nellie McKay occupations organisation Pongratz popular music practices production process professional programme project-based record companies relations relationship repertoire theatres risk role runaway production sector self-employed employees self-marketing skills social capital specific strategies structure tacit knowledge talent tasks technical theatre actors theatre manager tion uncertainty union University Press Warhurst workforce