Creative Labour: Working in the Creative Industries
Alan McKinlay, Chris Smith
Palgrave Macmillan, Mar 15, 2009 - Business & Economics - 230 pages
Creative labour has become a growing area of the market, and of management study. Alan McKinlay and Chris Smith have compiled the first book to look at the creative industries from a labour process perspective. The text concludes with an authoritative investigation into managing new media workers.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Creative Industries and Labour Process Analysis
Content Contract and Control
6 other sections not shown
Other editions - View all
active networking actors advertising aesthetic analysis argued artists bargaining Blair British broadcast budget capital career Caves cent changes chapter Christopherson commercial competition concept contracts costs craft Creative Class creative industries creative labour creative workers crew cultural industries Department for Culture director distribution duction economy employed employment entertainment industry example film and television film industry firms flexible formal freelance groups Haunschild heterarchy hierarchies Hollywood increased individual interactive media interactive media production interactive media workers internal Internet interviews labour market labour power labour process labour supply London McKinlay media industries ment mobility Nellie McKay occupations organisation popular music production process professional programme project-based record companies relations relationship risk role runaway production sector self-employed employees skills social social capital specific strategies structure tacit knowledge talent tasks technical theatre tion uncertainty union University Press Warhurst workforce