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PRINCIPLES OF TAPE RECORDERS
CHOOSING THE EQUIPMENT
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acoustics actors adjusted amateur amplifier applied battery recorders bias bird songs cable capacitor cardioid cassette circuit connected copy creative recording creative tape recording crystal microphone dialogue direction distortion drive spindle editing erase head erasure fade flywheel frequency response give gramophone record head-gap headphones heard high frequencies high-frequency high-impedance idler wheel impedance input instruments interview jack plug layer listener loudspeaker magnetic magnetising micro microphone control mixer monitoring motor moving-coil musique concrete noise normal obtained operated output pause control piano pinch wheel pitch playback played back plug portable position possible pressure pad print-through produce record head recording level recording tape recordist reel resonance result reverberation rewind ribbon microphone second recorder sequence signal slow socket sound effects sound source speakers speed splicing tape spool stereo stereo recordings switched to Record take-up spool tape drama traffic sounds turned usually voice