Creatures of Darkness: Raymond Chandler, Detective Fiction, and Film Noir

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University Press of Kentucky - History
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The conflicts of the Civil War continued long after the conclusion of the war: jockeys and Thoroughbreds took up the fight on the racetrack. A border state with a shifting identity, Kentucky was scorned for its violence and lawlessness and struggled to keep up with competition from horse breeders and businessmen from New York and New Jersey. As part of this struggle, from 1865 to 1910, the social and physical landscape of Kentucky underwent a remarkable metamorphosis, resulting in the gentile, beautiful, and quintessentially southern Bluegrass region of today.

In her debut book, How Kentucky Became Southern: A Tale of Outlaws, Horse Thieves, Gamblers, and Breeders, former turf writer Maryjean Wall explores the post--Civil War world of Thoroughbred racing, before the Bluegrass region reigned supreme as the unofficial Horse Capital of the World. Wall uses her insider knowledge of horse racing as a foundation for an unprecedented examination of the efforts to establish a Thoroughbred industry in late-nineteenth-century Kentucky. Key events include a challenge between Asteroid, the best horse in Kentucky, and Kentucky, the best horse in New York; a mysterious and deadly horse disease that threatened to wipe out the foal crops for several years; and the disappearance of African American jockeys such as Isaac Murphy. Wall demonstrates how the Bluegrass could have slipped into irrelevance and how these events define the history of the state.

How Kentucky Became Southern offers an accessible inside look at the Thoroughbred industry and its place in Kentucky history.


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CREATURES OF DARKNESS: Raymond Chandler, Detective Fiction, and Film Noir

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Welcome to the dark world of Raymond Chandler, film noir, and scholarship, where behind every corner lurks a plot synopsis blocking the organic growth of analysis.Once the obstacles of too much ... Read full review


Introduction Dead of Night
Knight and the City The Films of Chandlers Fiction
Paint It Black Chandler as Fiction Writer
The Lady Is a Tramp The Falcon Takes Over Murder My Sweet and Farewell My Lovely
Knight Moves Two Films of The Big Sleep
Down among the Rotting the Palms Time to Kill and The Brasher Doubloon
Lady in the Lake
Lured Double Indemnity
No Way to Treat a Lady The Blue Dahlia and Other Screenplays
Dance with the Devil Strangers on a Train and Playback
The Stag at Eve Poodle Springs and Other Telefilms
Endless Night
Selected Bibliography

The Long Goodbye
Exiled in Babylon Chandlers Screenplays

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Page xxii - But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. The detective in this kind of story must be such a man. He is the hero; he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather...
Page 4 - Hammett gave murder back to the kind of people that commit it for reasons, not just to provide a corpse; and with the means at hand, not hand-wrought dueling pistols, curare and tropical fish. He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes.

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