Dada's Manifestos and Peter Bürger's Theory of the Avant-garde
GRIN Verlag, 2011 - 36 pages
Essay from the year 2010 in the subject Art - Art Theory, General, grade: 8,5, University of Amsterdam (Cultural Analysis), course: Art as an Institute and its Critique, language: English, abstract: 1. Introduction The avant-garde intends the abolition of autonomous art by which it means that art is to be integrated into the praxis of life. At least this is what Peter Bürger states in his groundbreaking book Theory of the Avant-garde. In the book Bürger gives some examples that shall acknowledge and prove his theory, e.g. René Magritte or Marcel Duchamp. It is clear that such examples need to stay eclectic in order to fit the developed theory. In the following Bürger's text will be put to the acid test by analysing some avant-garde works through the eyes of Peter Bürger, and it shall be examined if specific, programmatic avant-gardist works go well with his theory. The manifestos by the (first) Dadaists in Zürich seem to be extremely useful for this attempt. Their "productions" haven't been canonised yet and have served as an example for further Dadaistic productions in Germany, the USA, the Netherlands, Romania, Georgia, Poland etc. They (excessively) produced manifestos and declared their ideals and plans. However, these declarations always remain a bit opaque as they avoid clear statements and explicitly write absurd. In their works the Dadas often make statements and shortly afterwards reject them again. Tristan Tzara's manifestos are great examples of this kind of text, therefore this paper focuses on his writings but will consider manifestos by Walter Serner, thoughts by Marcel Janco or Hugo Ball as well. Can Theory of the Avant-garde be a key to excerpt meaning from the Dadaistic text production, or do the manifestos go beyond Bürger's theory, or even prove him wrong?
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20th century active life praxis active simplicity Aesthetics akademische Texte anarchists art history art manifestos art world artworks autonomous avant-garde artists Avant-garde GRIN avant-garde movement Bazon Brock book Bürger Bürger describes Bürger’s text Critiqual Art Theory Cubists Dada’s Dadaistic production Dadas attack Dadas wanted dessins de francis diorama jean budry éditions du diorama Erwin Panofsky example former political manifesto francis picabia Frankfurt am Main Futurists Gene Ray Edit Gerald Raunig GRIN Verlag Hompes Dada's Manifestos http://www.sas.upenn.edu/~jenglish/English104/tzara.html Hugo Ball Ikonographie und Ikonologie institutional framework Kant’s Theory Kunst logical Manifeste Dada 1918 Manifestos and Peter Marcel Janco Marco Hompes Dada's museum Neo-avant-garde normative structures painting Panofsky’s second Panofsky’s third step Paris Peter Bürger Peter Bürger’s Theory political engagement quelques dessins Raunig and Gene reception was collective reintegrating Reinventing Institutional Critique rue du cherche-midi Sept Manifestes Dada social sublation of art Suhrkamp-Verlag Surrealists Theorie der Avantgarde Tristan Tzara Universiteit van Amsterdam Walter Serner Zürich