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Ideology Consensus and the Transformation of Performing Arts
The Malipenga Mime of Likoma Island
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actors aesthetic African audiences African broadcasters African languages agricultural authority Banda Bemba Blantyre Boma Boyd-Barret British CABS CAFU Central African Chapter Chewa Chichewa Chifunyise Chigaruka Chikwakwa cinema colonial films Copperbelt created dance dancers didactic didacticism early English entertainment established example filmmakers folklore Gule ideology improvised independence indigenous culture Information Kamlongera Kapalepale Kapeya Kasankha Kasoma Khuyu Village Likoma Island listeners Lungu Lusaka Majiga Malawi and Zambia Malawian Malikopo Malipenga Masiye mass media Mbewe Mbewe's media imperialism Mganda mime modernisation Mulenga Mytton Ngoni NGOs Nkhata Northern Rhodesia nthano Nyanja Nyasaland Nyoni officers organisation Peet performing arts Phiri Play for Today political post-colonial pre-colonial problems programmes radio drama Radio Zambia rituals role rural scripted sexual social songs stereotyped stories techniques television Theatre for Development Tonga traditional UNIP urban Western women Zambia and Malawi ZANTAA Zomba