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The History of the Dance
The Dance as Magic
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aesthetic American Ballet American dance art form artist audience ballroom dance became beginning body called Cecil Sharpe child choreographers Church classical ballet composers country dance create creation creative culture Curt Sachs dancers Denis Denishawn developed drama ecstacy elements emotional experience expression feel feminine field folk'dance Francois Delsarte give greatest Greek Havelock Ellis hence human idea imitation important individual interesting Isadora Duncan Jacob's Pillow Kinetic L. P. Jacks laws ma\e magic Mary Wigman masculine material matter means ment modern Molpai move music visualization musician natural origin performed period person phase Physical Education play Prescott previous lecture primitive principles problem produce programme pupils religion religious rhythm Russian Ruth St sense soul stimulating teacher teaching technique Ted Shawn theatre thing tion twenty'five type of dance understand vital whole woman women word write