Decreation: Poetry, Essays, Opera

Front Cover
Knopf, 2005 - Poetry - 245 pages
0 Reviews
In her first collection in five years, Anne Carson contemplates “decreation”–an activity described by Simone Weil as “undoing the creature in us”–an undoing of self. But how can we undo self without moving through self, to the very inside of its definition? Where else can we start?

Anne Carson's Decreation starts with form–the undoing of form. Form is various here: opera libretto, screenplay, poem, oratorio, essay, shot list, rapture. The undoing is tender, but tenderness can change everything, or so the author appears to believe.

From inside the book

What people are saying - Write a review

Decreation: poetry, essays, opera

User Review  - Not Available - Book Verdict

Carson here presents a hybrid collection of works she labels "poetry, essays, and opera" in poetic form and language. As in her earlier books (e.g., The Beauty of the Husband ; If Not,Winter ), her ... Read full review

Contents

Sleepchains
3
Some Afternoons She Does Not Pick Up the Phone
9
Becketts Theory of Tragedy
15
Copyright

12 other sections not shown

Other editions - View all

Common terms and phrases

About the author (2005)

Anne Carson was twice a finalist for the National Book Critics Circle Award; was honored with the 1996 Lannan Award and the 1997 Pushcart Prize, both for poetry; and was named a MacArthur Fellow in 2000. In 2001 she received the T. S. Eliot Prize for Poetry–the first woman to do so; the Griffin Poetry Prize; and the Los Angeles Times Book Prize. She currently teaches at the University of Michigan.

Bibliographic information