Defending Complexity: Art, Politics and the New World OrderOne of the most damning charges that can be leveled against artists, curators and critics these days is that they are "reducing art to politics." The idea has taken hold that politics is like a virus, sucking all the aesthetic sophistication, beauty and formal intelligence out of an art work, and leaving behind only an empty husk of tired propaganda. This book looks at art and politics from a variety of standpoints, among them, the failures and successes of art committed to social change, the intersections between art and religion, globalism and economics, the dangers posed by paranoia and censorship to our vision of free expression and the new urgency of these issues in a post 9/11 world. |
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Contents
Big Brother is Also Being Watched with Alarm New York Times January 26 2003 | 13 |
ART AND THE PUBLIC | 29 |
review of Lucy Lippards The Lure of the Local Art in America September 1998 | 47 |
Copyright | |
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abstract Abstract Expressionism Adrian Piper Ahearn American Andres Serrano Anomie appears art world Asian audience avant-garde body Body art Body Farm Catholic celebration century complex Contemporary art context controversy created culture curators death depictions designed display emerged essays evil exhibition explore fact female feminist figures Filipino film gallery global Hannah Wilke Harrisons holocaust human ideas imagery images included installation Iranian Islamic issues Japanese Jewish Lippard magazine Marjetica Potrc Meanwhile ment Mesches models modern Museum of World naked Nazi Newseum paintings performance photographs Piper Piss Christ political posters Potrc presented projects public art questions recent religious represented Robert Gober Robert Mapplethorpe role Rosler scene sculptures seems sexuality social society South Bronx Soviet space Staniszewski suggest surveillance symbols Teraoka tion tradition viewers visual Vito Acconci Western women World Religions York