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according action activity appear artistic association attention beautiful become believe brain called cause character clear colour complete condition connection consciousness consequence degenerate desire disease effect emotion example excited existence expression external eyes fact feeling force French German give hand healthy Hence human Ibsen ideas imagination imitation importance impressions impulses individual instinct kind knowledge latter less light living look means mental mind moral movement mystic nature never Nietzsche novels object observation once organic original Paris persons phenomena picture piece play pleasure poems poet poetry possess possible present produce question reader reason recognise relations remain result says seen sense single society speak species suffering symbol things thought tion true truth Wagner whole wish woman writing young
Page 89 - It lies in heaven, across the flood Of ether, as a bridge. Beneath, the tides of day and night With flame and darkness ridge The void, as low as where this earth Spins like a fretful midge.
Page 293 - Les parfums, les couleurs et les sons se répondent. Il est des parfums frais comme des chairs d'enfants, Doux comme les hautbois, verts comme les prairies...
Page 99 - Of Margaret sitting glorious there, In glory of gold and glory of hair, And glory of glorious face most fair; — Ah!
Page 321 - Where, if not from the Impressionists, do we get those wonderful brown fogs that come creeping down our streets, blurring the gas-lamps and changing the houses into monstrous shadows? To whom, if not to them and their master, do we owe the lovely silver mists that brood over our river, and turn to faint forms of fading pace curved bridge and swaying barge?
Page 125 - Dans l'interminable Ennui de la plaine La neige incertaine Luit comme du sable. Le ciel est de cuivre Sans lueur aucune, On croirait voir vivre Et mourir la lune.
Page 89 - Out of the circling charm; Until her bosom must have made The bar she leaned on warm, And the lilies lay as if asleep Along her bended arm. From the fixed place of Heaven she saw Time like a pulse shake fierce Through all the worlds.
Page 79 - Painting, or art generally, as such, with all its technicalities, difficulties, and particular ends, is nothing but a noble and expressive language, invaluable as the vehicle of thought, but by itself nothing. He who has learned what is commonly considered the whole art of painting, that is, the art of representing any natural object faithfully, has as yet only learned the language by which his thoughts are to be expressed.
Page 384 - Are you not clear about your place in your own home? Have you not an infallible guide in questions like these? Have you not religion? NORA. Oh, Torvald, I don't really know what religion is.