Design [does Not Equal] Art: Functional Objects from Donald Judd to Rachel Whiteread"Design [does not equal] Art presents distinctive functional designs that share the limited palette, materials, and elegant, geometric abstract forms characteristic of Minimalist and post-Minimalist art, including pine desks and porcelain tableware by Judd, stone and steel tables and chairs by Burton, lamps by Tuttle, folding screens by LeWitt, rugs by Rosemarie Trockel and Barbara Bloom, daybeds by Whiteread, and much more." "Filled with hundreds of photographs and drawing on candid conversations with many of the artists, Design [does not equal] Art is an authoritative, essential resource for designers, scholars of Minimalist and post-Minimalist art, collectors, and anyone interested in furniture and design of the late twentieth and early twenty-first centuries."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
Contents
FOREWORD | 7 |
SAMENESS AND DIFFERENCE | 17 |
ITS HARD TO FIND A GOOD LAMP | 189 |
Copyright | |
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Common terms and phrases
20th Century Decorative Aalto abstract aesthetic architecture art and design Art Deco artist Artschwager's artwork Barbara Burton designs Century Decorative Arts ceramics chandeliers Chinati Foundation Coffee Table color construction couch creating Dan Flavin Daybed Design Art designing furniture Desk Domergue Donald Judd Duchamp elegant exhibition explored Finlay Flavin floor fluorescent foam Formica forms Frank Lloyd Wright Franz West functional objects furniture design geometric Gerrit Rietveld glass Gustav Stickley Hoffmann idea installation view interested interior interview James Turrell Joel Shapiro John Chamberlain Judd designs Judd Foundation Judd's Lacquered light Marfa materials Max Protetch Mei-Mei's Lamp metal Minimalism Minimalist Museum painting Peter Ballantine pieces plaster plywood porcelain post-Minimalist prototype quoted Rachel Whiteread Rauschenberg Richard Artschwager Richard Tuttle Rosemarie Trockel Sachs Scott Burton sculpture shapes simple slat-back Sol LeWitt space specific Spring Street steel Stickley's studio style surfaces traditional Tuttle designs Tuttle's twentieth-century Untitled viewers wall wood wooden York