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Color and Context
Composition and Gestalt
5 other sections not shown
accent anesthetic appear to belong Arthur Koestler artist student Bauhaus bilateral symmetry blue called changes Chapter cognitive contours coincident disruptive patterns color notation systems color scheme color wheel COLORPLATE commonly complementary hues complex composition context Courtesy the artist creativity dazzle camouflage depict diagonal different hues disposition dissimilar Ehrenfels example figure and ground forms Gestalt psychology Gouache green hues implied lines inventive juxtaposed kind look lost-and-found contour metaphor military camouflage Mixed media modifications nonhue gray objects orange painter painting perceived perceptual organization photograph picture picture-making predominant hues primary hues principles of perceptual repetition result reversible figure Rudolf Arnheim secondary hue seen as belonging shapes similarity grouping simultaneous contrast sort space squares structural features styles symmetry tend terms of visual textures three-dimensional two-dimensional Problem unit-forming factors unity with variety University of Wisconsin—Milwaukee Untitled value and intensity violet visual art visual esthetic design visual weight Whistler's yellow York