Dhvani: Nature and Culture of Sound
Subhash Chandra Malik
Indira Gandhi National Centre for the Arts, Jan 1, 1999 - Music - 175 pages
This Volume Explores The Various Complex Conceptual Dimensions Of Sound: Ranging From Its Mystical And Traditionally Meta-Physical To Its Present-Day Developments, From Its Perceptions In Indigenous Musical Theory To Its Futuristic Applications.
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WHAT SILENCE MEANS TO MUSIC
COMMUNICATION THROUGH SOUND IN ANIMALS
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Acoustic Ecology acoustic environment ahamkdra alarm call ancient Chinese andhata animals audible bandis'a bijas Bindal birds Brahman Chinese concept Chinese culture Chinese word communication composed composition concept of sound created creation crickets Delhi dhrupad dhvani drums duration Elements eternal Ether example female frequency gamakas Goddess heard hearing Hildegard Westerkamp human Indian music Kambhoji khydl language Laozi listening male mammals mantra meaning Melakarta mouth Murray Schafer musician nature ndda Ndda-Brahman noise notes organ perceived phenomenon physical pitch predator produced pronunciation raga rdga relationship s'rutis sabda Sakta Saktism Sanskrit Santhals sddhand sheng silence sing song sonic Sound Observatory soundless Soundscape space species speech sphota staff notation svara Graphs svarasthdna Graphs Symbols of Sound T.K. Saksena tanmdtras tdla thumri tone ultrasonic universe Upanisads utterance vaikhari VARIOGRAM vdyu Vedas Vedic Vedic hymns vibration vilamabit vind vocal World Soundscape Project