Diana of the Crossways

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C. Scribner's sons, 1897 - 415 pages
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
 

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User Review  - wiredfromback - LibraryThing

A recent review: Even though the book's more than a century old, this's some of the most beautiful, sophisticated and original prose that one can encounter. Content doesn't matter when it is art for art's sake. Read full review

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User Review  - Kasthu - LibraryThing

Diana of the Crossways is a novel that was closely modeled on the life of Caroline Norton, a Victorian feminist who famously separated from her husband, later having an affairs with a rising ... Read full review

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Page 5 - Philosophy bids us to see that we are not so pretty as rose-pink, not so repulsive as dirty drab; and that instead of everlastingly shifting those barren aspects, the sight of ourselves is wholesome, bearable, fructifying, finally a delight.
Page 5 - And imagine the celestial refreshment of having a pure decency in the place of sham; real flesh; a soul born active, wind-beaten, but ascending. Honourable will fiction then appear; honourable, a fount of life, an aid to life, quick with our blood. Why, when you behold it you love it — and you will not encourage it? — or only when presented by dead hands?
Page 135 - The art of the pen (we write on darkness) is to rouse the inward vision, instead of labouring with a Dropscene brush, as if it were to the eye; because our flying minds cannot contain a protracted description. That is why the poets, who spring imagination with a word or phrase, paint lasting pictures.
Page 8 - The forecast may be hazarded, that if we do not speedily embrace Philosophy in fiction, the Art is doomed to extinction, under the shining multitude of its professors. They are fast capping the candle, Instead, therefore, of objurgating the timid intrusions of Philosophy, invoke her presence, I pray you. History without her is the skeleton map of events: Fiction a picture of figures modelled on no skeleton-anatomy. But each, with Philosophy in aid, blooms, and is humanly shapely.
Page 56 - We women are the verbs passive of the alliance, we have to learn, and if we take to activity, with the best intentions, we conjugate a frightful disturbance.
Page 6 - As she grows in the flesh when discreetly tended, nature is unimpeachable, flowerlike, yet not too decoratively a flower ; you must have her with the stem, the thorns, the roots, and the fat bedding of...
Page 126 - That is the secret of the opinion of us at present — our dependency. Give us the means of independence, and we will gain it, and have a turn at judging you, my lords! You shall behold a world reversed. Whenever I am distracted by existing circumstances, I lay my finger on the material conditions, and I touch the secret. Individually, it may be moral with us; collectively, it is material — gross wrongs, gross hungers. I am a married rebel, and thereof comes the social rebel.

About the author (1897)

George Meredith 1828-1909 George Meredith was born on February 12, 1828 in Portsmouth, England. He was a poet, novelist, and essayist of Victorian England and wrote 15 full-length novels, eight collections of poetry, and numerous minor works. Meredith is best known for powerful imagery, brilliant psychological insights, and carefully chosen diction. His works include The Ordeal of Richard Feverel, The Egoist, The Adventures of Harry Richmond, and Diana of the Crossways. His last collection of poems A Reading of Life, with Other Poems was published in 1901. In 1905 he was awarded the Order of Merit. He died on May 18, 1909.

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