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Disarticulation Rearticulation and Asian American Interculturalism
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aesthetic affinity intercultures African American African diaspora Afro-Brazilian Afro-Brazilian culture agency articulation Asian American culture Asian American interculturalism Asian American music becomes berimbau Brazil Brazilian immigrants Cage Cage's call attention capoeira songs capoeiristas Chano Pozo chapter communities composer concept context corporeal create creative cross-cultural crucial Cuban cultural production dialogic diasporic difference dimensions disarticulation discourse dissertation distinct diverse Dizzy Gillespie emerge encounters essay ethnic ethnomusicology example Gillespie global capoeira academy Gnawa heterogeneous human hybrid ideas identity important improvisation individual instruments interaction intercorporeal intercultural collaborations intercultural music jazz Jogo kind ladainha Lowell Lewis Mestre modes movement multiculturalism mundo musical practice musicians Olodum Orientalism orisha Pan-African Pan-African collaborations particular performance played players political Pozo Pozo's race racial Randy Weston rearticulative record relationship role silence social song sonic sounds space Steve Coleman strategies structure suggest taxonomies things tradition United World Saxophone Quartet