Digital Art History: A Subject in Transition
Anna Bentkowska-Kafel, Trish Cashen, Hazel Gardiner
Intellect Books, 2005 - Art - 123 pages
This book looks at the transformation that Art and Art history is undergoing through engagement with the digital revolution. Since its initiation in 1985, CHArt (Computers and the History of Art) has set out to promote interaction between the rapidly developing new Information Technology and the study and practice of Art. It has become increasingly clear in recent years that this interaction has led, not just to the provision of new tools for the carrying out of existing practices, but to the evolution of unprecedented activities and modes of thought.
This collection of papers represents the variety, innovation and richness of significant presentations made at the CHArt Conferences of 2001 and 2002. Some show new methods of teaching being employed, making clear in particular the huge advantages that IT can provide for engaging students in learning and interactive discussion. It also shows how much is to be gained from the flexibility of the digital image ‚Äì or could be gained if the road block of copyright is finally overcome. Others look at the impact on collections and archives, showing exciting ways of using computers to make available information about collections and archives and to provide new accessibility to archives. The way such material can now be accessed via the internet has revolutionized the search methods of scholars, but it has also made information available to all. However the internet is not only about access. Some papers here show how it also offers the opportunity of exploring the structure of images and dealing with the fascinating possibilities offered by digitisation for visual analysis, searching and reconstruction. Another challenging aspect covered here are the possibilities offered by digital media for new art forms. One point that emerges is that digital art is not some discreet practice, separated from other art forms. It is rather an approach that can involve all manner of association with both other art practices and with other forms of presentation and enquiry, demonstrating that we are witnessing a revolution that affects all our activities and not one that simply leads to the establishment of a new discipline to set alongside others.
Digital Ways of Studying Colour in Abstract Art
Reconstructing the Texts of Chartres Cathedral
Access to Multimedia Sources of Explorer Professor Dr Morgenstierne 18921975
Towards a Yet Newer Laocoon Or What We Can Learn from Interacting with Computer Games
Digital Arts On the Line
Computer Techniques for the Analysis of Paintings
Evaluation of ContentBased Image Retrieval on Collage
CHArt Computers and the History of Art
Guidelines for Submitting Papers for the CHArt Yearbook
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Abstract active 21 July Afghanistan algorithms analysis animation architecture archive Art History artists Birkbeck College cathedral’s CBIR CBIR search CBIR software CD-ROM cent century Chartres Cathedral Chitral Collage collection colour composition computer games Computer Vision conference constructed content-based image retrieval created Criminisi curation database demonstrate developed Digital Art Digital Art History Digital Café digital image digitisation Electric December example experience explored geometry Guildhall Art Gallery height historians History of Art homography interactive artwork interface Internet Kafiristan Kafirs Kemp Keywords Klee’s linear perspective London Guildhall medieval Morgenstierne multimedia Museum narrative Network online exhibition original Oslo painting panorama paper pattern Paul Klee perspectival photographs possible presentation quadrilaterals reconstruction rules of linear screen shape space square techniques texture themes thirteenth-century three-dimensional models traditional vault virtual Visual Search Watershed Watershed Media Centre www.chart.ac.uk Zisserman