Dimensional ColorTo the basic grammar of color and form presented in the first edition of Dimensional Color, Lois Swirnoff adds a chapter on color structure and expands one on color and light. |
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Contents
Introduction | 1 |
Theoretical Background | 17 |
Color Space and Time | 35 |
The Geometry of Brightness and the Perception of Form | 59 |
Configuration Pattern and Dimension | 69 |
Chiaro e Scuro Inverted | 79 |
Color and Visual Organization | 87 |
Color and Light | 115 |
Color Structure | 129 |
Conform or Transform? | 135 |
Visual Education | 145 |
Notes | 151 |
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Common terms and phrases
90 degree adjacent angle appear architecture artist aspect assemblage base become blue boundary brightness building causes cluster color combined complex contain contrast cube dark defined depth dimensions distance distinct distributed effect elements environment equal equivalent example experience faces feet field Figure flat four frame function gray green horizontal illuminated illusion inches increased influence integration intensity interaction Italy light light and shadow lines logical Lois Swirnoff mixture module move nature object observed orange organization painted pattern peared perceived perception placed plane play position possibilities produce projected pyramid reading reference reflected relation relationship relative result rotation saturated scale seen separated sequence shape shift side significant single space spatial square structure surface symmetry three-dimensional tion Transformation transparent triangles UCLA undergraduate units vertical visual volume wall window yellow
Popular passages
Page 153 - Collection of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC , Gift of Joseph H. Hirshhorn, 1966 (Shown at Wilmington and Buffalo only) • 5.