What people are saying - Write a review
We haven't found any reviews in the usual places.
ColorSpace and Time
The Geometry of Brightness and the Perception of Form
Configuration Pattern and Dimension
Chiaro e Scuro Inverted
Color and Visual Organization
Color and Light
Conform or Transform?
90 degree angle acrylic adjacent Albers angle of incidence angular architecture artist assemblage blue boundary brightness chiaro e scuro cluster color constancy colors appear complex contrast effect cube dark darker depth desaturated diagonal Dimensional Color dimensions distance ence environment Ewald Hering experience faces film film color four colors frame frontal fully saturated gray green horizontal illuminated illusion inches influence intensity interaction J.J. Gibson Josef Albers Julian Stanczak Leonardo da Vinci light and shadow linear Lois Swirnoff ment mixture module observed ochre orange painted paper pattern peared perceived perception placed placement plane pyramid reflected relationship relative Richard Anuszkiewicz Robert Slutzky rotation scale sequence shape significant sional Skidmore College space space-frame spatial square stereopsis structure surface symmetry three colors three-dimensional tion tive Transformation transparent triangles ture tween UCLA undergraduate in Design vertical visual field window yellow