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Helen Krich Chinoy
George II Duke of SaxeMeiningen
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achieve acting action actor actual appear artistic audience become begins bring called character classical color completely continue costumes course create creative detail directing director door drama effect elements emotions entire everything example experience expression eyes face fact feel finally follow give given hand human idea imagination important impression interpretation kind light lines live look matter means method Meyerhold mind move movement nature never notes objective once painted Pepel performance picture play playwright position possible practice present production question realism realize rehearsals result role scene seems sense Shakespeare social speak spectator stage STAGE-DIRECTOR stand Stanislavsky style suggest theater theatrical thing thought tion tradition tried true truth turn understand values voice whole