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Helen Krich Chinoy
George II Duke of SaxeMeiningen
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acting action actor actual appear artistic audience become begins believe Blanche bring called character classics color comes completely costumes course create creative demonstration detail direction director door drama effect emotions entire everything example experience expression eyes face fact feel finally follow give given hand human idea imagination important interpretation kind light lines living look matter means method mind move movement nature never notes objective once painted PEPEL performance play PLAYGOER playwright possible practice present production realism realize reason rehearsals result role scene seems sense Shakespeare sound speak spectator stage STAGE-DIRECTOR stand Stanislavsky style suggest tell theater theatrical thing thought tion tradition true truth turn understand voice whole written