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MUSIC AND IDENTITY IN BRITTANY FRANCE
THE EMERGENCE OF AFRICAN WORKINGCLASS
THE CONCEPTUAL MEANING OF THEATER AMONG
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activities aesthetic African Music Al-Ghazali Alan Alan Stivell American applause Audience Formation audience members auditorium/performance area bagad Bamana band begins behavior Black Bretagne Breton culture Breton identity Breton language Breton music Brittany chanted church concert congregation context create dance emotional End of Performance Entrance of Performers Entrance to Auditorium Ethnomusicology expression Folklore Formation of audience forms Foyer functional Gilles Servat Goodwin gospel griot guitar Indiana University individual instruments interaction Intermission James-Lange theory Jazz JUNGLE WOMAN kinesic Lamu marabi Maulidi melody Merriam Muhammad music event musical performance musical specialist musicians occurs organized participants performance events play praise preacher proxemic Reception Line Records religious responses rhythm ritual Riverside Records role Rycroft sermon shebeen sing singer social song sound Spera spiritual structure style theater theatrical tion tonal traditional Breton music traditional music tune Tushimbia urban visual vocal West African woloso Xhosa