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BREEZE FROM THE WEST
TO THE HEIGHTS OF PHILOSOPHICAL
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Adagio artistic Bach ballet basses bassoon baton Boris Catherine chamber music character charm chords cinema clarinet clarity color composer's composition concert construction contrast creative Dmitri Dmitri Shostakovich double basses dramatic Eighth elements emotional episode esthetic evolved Fifth Symphony film Finale flute French horns Fugue genre Glazounov grotesque grotesquerie harmony human influence instruments intonations Lady Macbeth Largo lends Leningrad libretto listener lyrical main theme Manuscript master Maximilian Steinberg means of expression melody ment modern Moscow movement Music Publishing House musical ideas musicians nature neoclassicism opera orchestra particularly passacaglia passages philosophical phony piano Pianoforte Quintet polyphonic poser Prelude Premiere principles Quartet recitative rhythm rhythmic scene Scherzo score second theme Sergei Seventh Symphony Shos Shosta Shostako Shostakovich Shostakovich's music Sixth Sonata song sonorous sound Soviet music spirit strings striving struggle style takovich talent Taneyev Tchaikovsky tendencies theatre tion tonal traditions unfolds viola violin violoncello voices waltz written