Dos fantasías memorables: Un modelo para la muerte

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Alianza Editorial, 1999 - Fiction - 123 pages
"Este volumen reune dos muestras mas de la fecunda y feliz colaboracion entre Jorge Luis Borges y Adolfo Bioy Casares. Parodia dentro de la parodia, UN MODELO PARA LA MUERTE lleva, sin embargo, los recursos y los personajes de esta obra al ultimo extremo de la hilaridad."

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Excelente lastima que no se consiga mas.

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About the author (1999)

Born in Buenos Aires, Argentina, in 1899, Jorge Borges was educated by an English governess and later studied in Europe. He returned to Buenos Aires in 1921, where he helped to found several avant-garde literary periodicals. In 1955, after the fall of Juan Peron, whom he vigorously opposed, he was appointed director of the Argentine National Library. With Samuel Beckett he was awarded the $10,000 International Publishers Prize in 1961, which helped to establish him as one of the most prominent writers in the world. Borges regularly taught and lectured throughout the United States and Europe. His ideas have been a profound influence on writers throughout the Western world and on the most recent developments in literary and critical theory. A prolific writer of essays, short stories, and plays, Borges's concerns are perhaps clearest in his stories. He regarded people's endeavors to understand an incomprehensible world as fiction; hence, his fiction is metaphysical and based on what he called an esthetics of the intellect. Some critics have called him a mystic of the intellect. Dreamtigers (1960) is considered a masterpiece. A central image in Borges's work is the labyrinth, a mental and poetic construct, that he considered a universe in miniature, which human beings build and therefore believe they control but which nevertheless traps them. In spite of Borges's belief that people cannot understand the chaotic world, he continually attempted to do so in his writing. Much of his work deals with people's efforts to find the center of the labyrinth, symbolic of achieving understanding of their place in a mysterious universe. In such later works as The Gold of the Tigers, Borges wrote of his lifelong descent into blindness and how it affected his perceptions of the world and himself as a writer. Borges died in Geneva in 1986.

Adolfo Bioy Casares has collaborated with Jorge Luis Borges on a number of works. They compiled Anthology of Fantastic Literature (1940), a documentation of the development of Spanish American suprarealism, and Six Problems for Don Isidro Parodi (1981), a playful and inventive variation on the theme of the detective who cannot visit the scene of the crime. Bioy Casares's numerous works are characterized by intelligence and a sense of playful fantasy. The Invention of Morel (1953), concerns a scientist's illusions about immortality. Asleep in the Sun is a bizarre tale written in an epistolary form. Ultimately the recipient of the letter is left to wonder whether, in fact, the puzzle has any solution or whether, like much of Bioy Casares's and Borges's work, it is an inside joke between author and reader.