Dostoevsky's The Idiot and the Ethical Foundations of Narrative: Reading, Narrating, Scripting
'Original, well argued, convincing and attractively written throughout.' Malcolm Jones, Professor Emeritus, Dept. of Russian and Slavonic Studies, University of Nottingham 'A truly outstanding and original piece of work.' Robin Feuer Miller, Edytha Macy Gross Professor of Humanities, Brandeis University In considering Dostoevsky's The Idiot, a novel less easily defined in terms of plot and ideas than his other major fictional works, Sarah Young addresses problems in the novel unresolved by previous interpretations, and in doing so fills a significant gap in Dostoevsky studies. Dostoevsky's The Idiot and the Ethical Foundations of Narrative provides an innovative theoretical framework for an analysis that integrates structural and narratological considerations with thematic (religious and ethical) aspects, by focusing on the characters' interactivity as the most fundamental level on which the ethical systems of the novel are enacted. It examines the questions of what ethical bases are put forward by the novel, what faith-issues and philosophical world-views they derive from, and how, in terms of structuring and narration rather than simply thematically, they are presented in the novel. For the first time, through the concept of scripting, the author shows how the ethical becomes the foundation for the narratological in The Idiot. No other book on Dostoevsky has addressed the question of ethics, which is so important to the study of Dostoevsky, particularly in the light of recent work on the religious dimension of his novels, within the context of narrative and Bakhtinian dialogue. This substantial new work will appeal to academics, postgraduates and undergraduates working on Dostoevsky and the nineteenth- and twentieth-century Russian novel in general; as well as scholars in the fields of literary theory, including Bakhtin studies, narratology, literature and ethics.
What people are saying - Write a review
We haven't found any reviews in the usual places.
The Disappearing Heroine
control and interpretation
the ideological heroine
The foundations of Myshkins script in action
Rocking the foundations
Self and Other in Dostoevskys Aesthetic Activity
Other editions - View all
absence achieve actions aesthetic Aglaia appears aspects assert attempt attitude author’s emphasis awareness Bakhtin becomes behaviour Brothers Karamazov central characters Christ compassion confirms conﬂict consciousness death denouement depiction direction Dostoevskogo Dostoevsky’s effect emphasized entire Epanchin epilepsy ethical evident face fact feeling final ﬁrst focus Furthermore Gania hero hero’s heroine heroine’s higher reality highlights Holbein human idea ideal Idiot importance impulse indicates inﬂuence inserted narratives interaction interpretation Ippolit Ivolgin Keller’s Kolia lack latter’s Lebedev literary man’s marriage Morson motivation narrator narrator’s Nastas’ia Filippovna novel one’s painting participate Pavlovsk Petersburg Petrozavodsk plot Poor Knight positively beautiful possibility present Prince Myshkin prince’s protagonists question Radomskii reader reading reﬂects relation relationship response result Rogozhin role saintly scripting scene self—other selfhood selﬂiood sense significant simply spiritual St Petersburg story storytelling game structure suffering suggests tell tension Totskii undermine VIII vision voice woman words