Double Indemnity: The Complete Screenplay
University of California Press, Dec 5, 2000 - Performing Arts - 139 pages
On every level -- writing, direction, acting -- Double Indemnity (1944) is a triumph and stands as one of the greatest achievements in Billy Wilder's career. Adapted from the James M. Cain novel by director Wilder and novelist Raymond Chandler, it tells the story of an insurance salesman, played by Fred MacMurray, who is lured into a murder-for-insurance plot by Barbara Stanwyck, in an archetypal femme fatale role. From its grim story to its dark, atmospheric lighting, Double Indemnity is a definitive example of World War II-era film noir. Wilder's approach is everywhere evident: in the brutal cynicism the film displays, the moral complexity, and in the empathy we feel for the killers. The film received almost unanimous critical success, garnering seven Academy Award nominations. More than fifty years later, most critics agree that this classic is one of the best films of all time. The collaboration between Wilder and Raymond Chandler produced a masterful script and some of the most memorable dialogue ever spoken in a movie.
This facsimile edition of Double Indemnity contains Wilder and Chandler's original -- and quite different -- ending, published here for the first time. Jeffrey Meyers's introduction contextualizes the screenplay, providing hilarious anecdotes about the turbulent collaboration, as well as background information about Wilder and the film's casting and production.
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anklet baby Barbara Stanwyck Billy Wilder briefcase chair cigar cigarette closes the door Cont'd crazy crutches dark davenport desk dictaphone DIETRICHSON HOME DISSOLVE door opens Double Indemnity Edmund Wilson elevator ENTRANCE DOOR eyes face film Fred MacMurray front garage gas chamber glass going Goodbye GORLOPIS hand hangs Heff Hello holds husband Jackson Keyes1 killed light listening living room LOLA meat loaf Medford moves murder Neff comes Neff enters Neff looks Neff sits Neff stands NEFF'S OFFICE NEFF'S VOICE NEFP NEPF NEPP Nino NORTON observation car Okay Olvera Street opens the door PHONE PHYLLIS Phyllis and Neff Phyllis Dietrichson picks pocket pulls puts Raymond Chandler redcap Ruth Snyder shot shoulder slowly stares stops suicide Suppose sure takes talk telephone tell There's thing train turns TWELFTH FLOOR walks Walter Neff watching wearing What's window Yeah ZACCHETTI Zachette