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The white savage beneath
Families live in limited spaces
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activity amongst apartheid appeared argued Arts assertion attempt audiences become Black Consciousness blood body Cape Town characters Christian colonial coloured concern construct context continuing critics cultural decades despite Dhlomo direct discourse dominant drama draws early emergence encourage English English studies establishment evident existence experience exploitation explore expression fact final formation Fugard human important interest involved Johannesburg Kavanagh labour land language liberation literature live London means movement noted observes opened organisations particularly performance period play police political position practice present Press prevailing discourse prison produced published race relations remains resistance ruling classes scene sense Shakespeare shows significant social order society South African space stage struggle suggests theatre township Union University workers writing