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Part One THE VARIATION OF PERSPECTIVES
SYMBOLS AND MEN
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action activity actor aesthetic American analysis Anselm Strauss appear audience aware become behavior believe Biggy Burke called ceremony character communication concept conflict conscious context create culture Dave Garroway degradation ceremonies drama dramatic dramatistic dramaturgical perspective encounter Erving Goffman everyday example experience expression face face-work fact feel fiddles film function Georg Simmel German Goffman Harold Garfinkel hero human identity important impression individual intention interaction involved issues Kenneth Burke kind live mass media meaning metaphor moral munication myth object one's organization para-social participants patients performance person play political present Press pretense problem pseudo-events psychological reality relations relationship ritual role rules sacred scene script sense situation society stage fright status Stella Adler structure symbolic symbolic interactionists talk television theater theatrical theory things tion values villain words Yankee City York