Dramatic Micellanies [sic]: Consisting of Critical Observations on Several Plays of Shakspeare: with a Review of His Principal Characters, and Those of Various Eminent Writers, as Represented by Mr. Garrick, and Other Celebrated Comedians. ... By Thomas Davies, ... In Three Volumes. ... |
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acted action actor admirable affecting alteration Antony appearance audience Beaumont believe better Booth brought Brutus Cæſar called character Cibber comedians comedy Cordelia court death Engliſh equal excellent eyes father feelings firſt Fletcher formed Garrick genius give given hand himſelf honour humour Italy Jonſon Julius King Lady laſt Lear learned lines lived look Macbeth manner Mark maſter means merit mind moſt murder muſt nature never obſerved opinion original paſſage paſſion perhaps perſon piece play players pleaſe plot poet preſent produced reader reaſon revived Roman Roman actors ſaid ſame ſays ſcene ſee ſeems ſeveral Shakſpeare Shakſpeare's ſhall ſhe ſhould ſince ſituation ſome ſpeak ſpectators ſpirit ſtage Steevens ſtill ſuch ſuppoſe theatre theſe thing thoſe thou thought tion tragedy voice whole whoſe wife Wilks writer young
Popular passages
Page 320 - Methinks I should know you, and know this man; Yet I am doubtful; for I am mainly' ignorant What place this is, and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night. Do not laugh at me ; For, as I am a man, I think this lady To be my child Cordelia.
Page 257 - He only, in a general honest thought, And common good to all, made one of them. His life was gentle, and the elements So mix'd in him that Nature might stand up And say to all the world, 'This was a man!
Page 212 - Set honour in one eye and death i' the other, And I will look on both indifferently; For let the gods so speed me as I love The name of honour more than I fear death.
Page 319 - tis fittest. Cor. How does my royal lord? How fares your majesty? Lear. You do me wrong, to take me out o' the grave. — Thou art a soul in bliss ; but I am bound Upon a wheel of fire, that mine own tears Do scald like molten lead.
Page 267 - I was many years ago so shocked by Cordelia's death, that I know not whether I ever endured to read again the last scenes of the play till I undertook to revise them as an editor.
Page 149 - What hands are here? ha! they pluck out mine eyes! Will all great Neptune's ocean wash this blood Clean from my hand? No; this my hand will rather The multitudinous seas incarnadine, Making the green one red.
Page 22 - element,' but the word is over-worn. \Exit. Vio. This fellow is wise enough to play the fool ; And to do that well craves a kind of wit : He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye.
Page 130 - He made darkness his secret place, his pavilion round about Him with dark water, and thick clouds to cover Him.
Page 281 - But we should reflect, that Lear is not agitated by one passion only, that he is not moved by rage, by grief, and indignation, singly, but by a tumultuous combination of them all together, where all claim to be heard at once, and where one naturally interrupts the progress of the other.
Page 357 - Ant. Come on, my soldier! Our hearts and arms are still the same : I long Once more to meet our foes; that thou and I, Like Time and Death, marching before our troops, May taste fate to them ; mow them out a passage, And, entering where the foremost squadrons yield, Begin the noble harvest of the field.