Dutchman and the Slave

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Harper Collins, Jan 1, 1971 - Drama - 96 pages
3 Reviews

Centered squarely on the Negro-white conflict, both Dutchman and The Slave are literally shocking plays--in ideas, in language, in honest anger. They illuminate as with a flash of lightning a deadly serious problem--and they bring an eloquent and exceptionally powerful voice to the American theatre.

Dutchman opened in New York City on March 24, 1964, to perhaps the most excited acclaim ever accorded an off-Broadway production and shortly thereafter received the Village Voice's Obie Award. The Slave, which was produced off-Broadway the following fall, continues to be the subject of heated critical controversy.

 

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LibraryThing Review

User Review  - whitewavedarling - LibraryThing

Both these plays are provocative and politically charged. Regardless of publication date, they're still relevant and worth reading, and contain some great monologues for anyone interested. If you read ... Read full review

LibraryThing Review

User Review  - araridan - LibraryThing

The Dutchman and the Slave are two plays by Leroi Jones (Amiri Baraka) from 1964. Both plays deal with black/white relations, specifically slave heritage and oppressor heritage respectively. Also ... Read full review

Contents

Section 1
3
Section 2
5
Section 3
22
Section 4
41
Section 5
43
Section 6
46
Section 7
79
Copyright

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About the author (1971)

Amiri Baraka, born Leroi Jones in 1934, is a poet, playwright, novelist, critic, and politcal activist. Best known for his highly acclaimed, award-winning play "Dutchman," as well as "The Slave, The Toliet," and numerous poetry collections. He lives in Newark, New Jersey.

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