Early American cinema in transition: story, style, and filmmaking, 1907-1913

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University of Wisconsin Press, Dec 13, 2001 - Business & Economics - 306 pages
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The period 19071913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel's duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O'Salem-Town; Cupid's Monkey Wrench; Belle Boyd, A Confederate Spy;and Suspense.

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Early American cinema in transition: story, style, and filmmaking, 1907-1913

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Keil (cinema studies & history, Univ. of Toronto) examines early American silent cinema in terms of narrative, showing how narrative film techniques evolved in terms of length, complexity, and ... Read full review


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Encyclopedia of Early Cinema
Richard Abel
No preview available - 2004
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About the author (2001)

Keil is associate professor in the Cinema Studies Program and the Department of History at the University of Toronto.