Eden End

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Oberon, 2001 - Drama - 108 pages
Stella Kirby spent nine years running away; leaving home to find her freedom as an actress. Now she has decided that the only role left to play is the prodigal daughter returned, hoping to rediscover herself amongst the familiar surroundings of her childhood home, Eden End.
Priestley had a special tenderness for Eden End and for it he created some of his most fragile, gentle characters. The stocial Dr. Kirby, his younger son Wilfred, desperate to prove himself a man of the world, and Lillian, the daughter who stayed at home, are a sharply observed and instantly recognisable family, with all its dreams and disappointments.

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Contents

Section 1
23
Section 2
56
Section 3
83
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J.B. Priestley
Maggie Barbara Gale
No preview available - 2008

About the author (2001)

English novelist, playwright, and critic J. B. Priestley was born in Bradford in Yorkshire, the setting for many of his stories, and was educated at Cambridge University. Although he first established a reputation with critical writings such as The English Comic Characters (1925), The English Novel (1927), and English Humor (1928), it is for his novels and plays that he is best known. Priestley was, like John Galsworthy and Somerset Maugham, a novelist only partially committed to his playwriting. Yet he became the dominant literary figure in the London West End during the 1930s, as he attempted to make realistically rendered domestic conversation the vehicle for a mature study of personality and emotion. Philosophical theories about time, Socialist dogmatism (often erupting into sermons), and a taste for dramatic expressionism may be said to have finally deflected him from his goal. Priestley's experimental bent nevertheless yielded, among his more than 25 plays, a number of striking theatrical situations---the soliloquies of Ever since Paradise, the reviewed life in Johnson over Jordan (1939), the replay of an ill-fated conversational turn in Dangerous Corner (his most successful play, 1934), and the supernatural visitation in An Inspector Calls (his acknowledged masterpiece, 1946).

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