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Some Musical Precedents
The Classic Studio and the
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aesthetic alter Alvin Lucier amplified audience avant-garde Babbitt basic Buchla Cage changes clarinet classic studio collage Cologne Columbia Columbia Records composer's composers concert control voltage created creative Deutsche Grammophon developed disc duration earlier effects electronic music electronic sound ensemble equipment event example experience fact filters flute formance hear heard HPSCHD improvisation instruments interest John Cage keyboard listening live performance loop loud-speakers Luening machine material medium ment microphone Milton Babbitt modules monaural Moog Moog synthesizer musicians musique concrete noise Nonesuch Nonesuch recording notation octave orchestra oscillator particular passage Pauline Oliveros percussion perhaps phonograph piano piece pitch playback played players posers possible prerecorded present produced radio RCA synthesizer realization reference rhythmic ring modulator score Solo soloist sonic sonorities sound sources speed splicing stereo Stockhausen tape composition tape music tape recorder technique timbre tion tonal tone traditional unique University Ussachevsky Varese violin visual voltage-controlled Webern